Why are all your new pop songs overdramatic melodramas? Where’s the folky people tradition, asks Billy Bragg.

How ironic that The Clash should be on the cover of the NME in the week that London was burning, that their faces should be staring out from the shelves as newsagents were ransacked and robbed by looters intent on anarchy in the UK. Touching too, that the picture should be from very early in their career – Joe with curly blond hair – for The Clash were formed in the wake of a London riot: the disturbances that broke out at the end of the Notting Hill Carnival of 1976.

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